Something new is coming...

A new project I am launching.... think punk.... think fun.... think guitars.... think major chords....

My music is available on most streaming sites. Also Deezer, which is available in South Africa, where Spotify still isn't.

Herewith links to the 2 playlists:

Crashtackle

Danie Nel

The Reaper is OUT and on VIDEO!

Getting "The Reaper" final release ready took a while. I've released it previously in what I now refer to as "demo" or "first pass" version. I basically remixed it and remastered it. 

I've wanted to do a video for a while, but I couldn't quite make time to shoot something elaborate, and shooting and editing and performing and whatnot, by myself, makes it even a tougher task. For some reason I've always like archive images from wars in music videos. Yes, yes, I know it's probably old hat and even cheesy, but I haven't done it, so, it's not a cliche for me. Yet, anyways. 

In the public domain there are some great clips available for use in all sorts of projects, so I got my fill of clips at the Pond 5 Public Domain Project. The lyrics of the song is not directly related to the footage, but it supports the atmosphere, and the gist of the lyrics tie in with the idea of wars: humanist thinking led to war. War in the "name of religion" does not make it God's war. It makes it the war of people, using God as an excuse. 

The song is about standing up and taking a stand the is not philosophically popular, but essential as a Christian. We have to value God's judgements and views above that of common philosophy, pop-psychology and popular opinion. Especially in our post-modern world where having a conviction about something is a worse sin that simply agreeing with everyone. (Till you try and disagree with a post-modern thinker, then you see what true intolerance is!)

Anyways, I also took the opportunity to take some pics for my publicity and online profiles.

I find it very hard to do these "very serious" band pics. I'm more likely to take pics of myself in goofy poses, but I suppose it's time I have some more serious imagery. Here I am shown with my NEL "Angry Bird" Guitar. One of the guitars I built. This one was built with pieces of rubbish pine I had lying around outside, with an extra neck and odds and ends to make this guitar.

Anyways, till the next update. 

Update on Reuse Reduce Recycle

You might've noticed that suddenly "Reuse Reduce Recycle" is no longer available in the links, or in previous posts on Facebook, or in Twitter. Well, I've decided to relook some of the tracks, especially on the mixes, and then to go ahead and release the album in bursts of singles. I'm also typical in my artistic regret, so every now and again I wish I did something differently. Luckily, I can redo things. However, once it is released now, it'll stay released, because through this network it costs money to get it to you.

Part of the reason is that I'd like it to be available on most streaming platforms, like Spotify, Apple Music, Xbox Music, and thousands of radio stations online, Youtube monetisation etc. Yes, it'll help me get the music out there, and in time recoup some of the costs at 0.001 cent a play!

Jamendo is still doing fantastically well for my back catalogue, like "Painting with Light" has proven, with my catalogue having received more that 1.5 million streams already. Certain releases will still fit the Jamendo model better, so I'll continue there.

Once you buy the song on iTunes or wherever, you can even use it for your videos on Youtube. In fact, I'd appreciate it if you do. Through clever micro-sync technology, I'll get paid a micro-cent every time it is played.

So the first remixed, remastered song is the very first from the album, "To where our souls call home". It has been released and should have digested into the the iTunes, Amazon, Spotify and the like's roster in the next 1-4 weeks.

You can already stream or grab it here:

http://www.cdbaby.com/cd/danienel

Vortex One....?

I've briefly mentioned where the name of the "label", Vortex Afternoon, comes from, but actually, the whole era of electronic music I made in the late 90's, I labelled as "Vortex One". Why "Vortex One"? I couldn't think of a cooler name, or something like that, I suppose. I was 17 when I started.

My brother came home from university one holiday, and on his kick-butt 486 (pre-Pentium days) machine with a Genius sound-card, was a program called "Impulse Tracker";  a mod-tracking programme in the vein of Mod Tracker and later, Windows versions like "Fast Tracker" etc. Some who are in the know might remember "Future Crew", "Enigma" (my brother's name) and a bunch of others, who featured in this underground music scene. You can read about the software, here:

http://en.wikipedia.org/wiki/Impulse_Tracker. Come to think of it, he first arrived with Scream Tracker, and I very well might've written and composed my first songs ever, on Scream Tracker. In time - probably a couple of months, we ended up doing our thing on Impulse Tracker, due to it's superior workflow. I still wish modern tracking programs, or midi, could be this easy.

Herewith a screen-shot of Impulse Tracker:

 

And the pre-cursor of Impulse Tracker, Scream Tracker.

 

As you can see, it was like staring at The Matrix. However, it's actually deceptively simple, intuitive and quite powerful, once you understand the basics. It's pretty much a drum machine, with more sounds. Some of the music composed then still rivals any of today's uber-electro-compositions in terms of complexity and quality.

Tracking consisted of using sound and instrument samples and programming the notes and effects into a scrolling tab. A bit like midi. The samples in our case were ripped from other peoples .IT files, the native file format in which these compositions were saved. It opened as a project, and you had access to all the bits and bobs in it.

In my case, most of the samples were 8-bit, but some guys were next level and was doing 16-bit. Because of the lack of guitar samples and way to use it, this music gravitated towards dance, and post-rock type styles, highly progressive in some cases. I did manage to record some guitar on a pc-mic and integrated bits into the music, as in "Serious News". That line I was playing around with on my 12-string President, and I ended up recording a single middle-C note from the guitar, and used the program to program the arpeggio I have been playing on the guitar. The quality, understandably, is not fantastic. Nowadays people use effects-pedals to get a guitar sounding that bad, mind you.

But enough about the intricacies of the software we used. Let's talk songs.

Next time.